jueves, 19 de marzo de 2015

Book: character type (Part III)

El tercero de los post dedicados al libro que realicé el año pasado. En esta última parte he decidido eliminar algunas páginas finales de cortesía, porque solo aportan en la producción física, como imágenes pesan pero no contiene gráfica.

Existen numerosos textos sobre aspectos formales de la tipografía, partes, elementos, clasificación... pero ¿existen un análisis de conceptos no formales sobre tipografía? ¿cómo determinamos determinados matices y acabados tipográficos que aportan connotaciones no evidentes a la tipografía y al diseño por extensión? Este es el objeto del este ensayo, cada temática, cada tendencia del diseño y cada contexto nos sugiere el uso de una tipografía, evidentemente estos aspectos al no ser netamente teóricos, no son para seguir al pie de la letra, pero a través de esta investigación pretendo indagar sobre el proceso asociativo en la elección de una tipografía.
























martes, 3 de marzo de 2015

Book: character type (Part II)


Today, as a second post we will discuss as a block or chapter works to structure / Reading level:

1 - I looked for a picture of the character that has the force to support the presentation. (in some characters, paintings and Obelix incarnations has been necessary to hitóricos characters)

2 - introduction page is a lightweight biography of the character to contextualize their lifes.
On this page a phrase or quote character in accordance with that case is a declaration of principles oriented to the letter or reflection looming on pages 5 and 6. Another feature of the event is to present the chromia block also appears

3 - Next, after thinking a character makes an inquiry about the same, from the point of view of character, work / myth, physical appearance and profession. This research responds to a fairly exhaustive analysis, but gradually enters on the creative process.

4 - The 4th page is the iconography of characters, here is a study of volumes shapes and textures which I support the creation of the glyph.

5 - On the 5th this generation of typography, here proposes a color toned image as color psychology and trying to convey with the letter is linked.

6 - In this last page block I propose expand on some aspect that has arisen either by letter or through the character. Serves completion and closing block.